For years the Lovin' Spoonful was a hit factory, and as led by John Sebastian they turned out 60's pop classics such as "Do You Believe in Magic?", "Did You Ever Have to Make Up Your Mind?", "You Didn't Have to Be So Nice," "Summer in the City," and "Younger Generation." At heart, though, they were just a classy little jug band, as evidenced by a perusal of deeper album cuts: "Fishin' Blues," "Sportin' Life," "Jug Band Music," "Bald Headed Lena," "Darlin' Companion," and "4 Eyes" all showcase a bluesy rock 'n' roll that indicates they had no interest in being anything like the Beach Boys (with whom they were frequently compared). I have great admiration for Brian Wilson, Pet Sounds, and Smile, but I'll admit that I've always been a bigger Lovin' Spoonful fan--ever since seeing Woody Allen's What's Up, Tiger Lily?, for which the Spoonful provided the addictive soundtrack (the song "Pow!" is one of the band's most enjoyable). But these hit factories can't last. The Spoonful were undone by a slow accumulation of disasters and changes. In 1966, as the band was at the height of their popularity, Canadian guitarist Zal Yanovsky and bassist Steve Boone were busted for marijuana possession. The search was illegal, but the pair were sufficiently intimidated--Zal was threatened with deportation--and so they ratted out their supplier. The reaction among the hippie elite was swift and brutal, and the Spoonful quickly became the unhippest band on the planet, excommunicated from the burgeoning psychedelic scene. Zal, a virtuoso contributor to the band, eventually left the group. In 1968 the band released their weakest album, Everything Playing; weak, because Sebastian bowed to the pressure of his cohorts and democratically surrendered the spotlight to them, leaving an album without a consistent voice (literally) and without any particular direction or goal. "Priscilla Millionaira" is an OK rock song, written by Sebastian, but Steve Boone's vocal work is execrable--and it's inexplicably given prime placement as the second track on the album! Still, the experiment in un-Sebastianness may have been worth it to give a little more elbow room to Joe Butler, a talented songwriter with a voice that's gorgeous (if more conventional than Sebastian's). His track, "Old Folks," is one of the highlights of the album.
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